My Oxford Year: A Novel
: Chapter 2

Light, that never makes you wink;

Memory, that gives no pain;

Love, when, so, you’re loved again.

What’s the best thing in the world?

—Something out of it, I think.

Elizabeth Barrett Browning, “The Best Thing in the World,” 1862

I wish I could say that Oxford smells like parchment and cinnamon or something poetic, but right now it just smells like city: bus diesel, damp pavement, and the aroma of French roast wafting from the coffee shop across the street.

The sidewalks are narrow on High Street, edged by tall stone walls on one side and low, worn curbs on the other. The narrowness heightens their crowdedness. Students rushing, tourists lingering, the former annoyed by the latter. Those who speak English are almost as incomprehensible to me as those who don’t. My ear hasn’t yet adjusted to the accent and passing dialogue is entirely lost on me.

It’s just another day in Oxford, but to me it’s magical.

As the bus pulls away I gather my luggage and try to sidestep a large family bowed over a map, their voices agitated and overlapping. After a moment, the father’s head pops up and he lifts the map into the air, out of reach, his patience snapping. “Awright, awright, step off it now, wouldya? We’re goin’ this way!”

Before I can steer clear of the family, a flock of bicycles, a veritable swarm, goes flying past, grazing my luggage and whipping my hair in its wake. Their riders wear some kind of sporting attire (rugby, maybe?), smelling of boy-sweat and new-mown grass as they go by, hooting and hollering. Boys are boys in any country, apparently. The last rider snatches the map right out of the father’s hand, lifting it victoriously, crying out, “Et in Arcadia ego!”

Oxford: where even the jocks speak Latin.

THERE’S NOTHING I have to do for the Rhodes, per se. It’s not a degree or title in its own right. What I do—or don’t do—at Oxford is between my academic department and me. Also, between my college and me.

The college I’ll be affiliated with is Magdalen, which, for reasons unknown to me, is pronounced “maudlin.” Founded in 1458, it boasts a great hall, a deer park, an iconic bell tower, medieval cloisters, and approximately six hundred students. I did not request Magdalen because of some heavily considered academic reason; I requested Magdalen because it was Oscar Wilde’s college.

I approach the gate, carefully navigating the people streaming in and out, and lug my baggage into a portico. In front of me, straight out an open Gothic-style door, I glimpse a cobblestone courtyard with a charming three-story sand-colored dormered building in the distance. On the portico’s flagstones, sandwich boards announce the times of day the college is open to visitors and advertise a tour of the fifteenth-century kitchens. To my left are glass-enclosed bulletin boards with notices and reminders posted haphazardly: “Have you paid your battels?” “Get all your uni gear! New Student Discount at Summer Eights on Broad, show your Bod card.” “Fancy a nip before Hilary’s first OKB bop? 8, Friday noughth week, JCR.” Seeing the words in writing, I realize the accent isn’t the only obstacle. To my right, wood paneling and two arched glass windows cordon off a sort of office, like an Old West bank just asking to be held up.

I round the corner and spy, behind the glass, an older man in a red, pilled sweater, white collared shirt, and tie. He stands over an archaic copier the size of an SUV, his shoulders hunched in consternation, long neck and mostly bald head giving him the appearance of a Galápagos tortoise. He mutters something and kicks the bottom of the machine. It whirs like a propjet engine and slowly spits out sheets of green paper.

“Hi!” I chirp.

“Help you?” he asks, not looking up, paging methodically through another stack of papers, occasionally licking his finger.

“I’m . . .” I hesitate. “Checking in? I guess?”

“Student?” he asks.

“Yeah. Yes.”

“Fresher?”

I have no idea what he just said. “What?”

“Fresher?”

I don’t answer. I’m afraid to answer.

Finally he looks up, exasperated, and I realize he’s been counting the papers and, more, that I’ve interrupted him. “First year. Are you a first year?”

“I’m a graduate student. But I’m flattered, sir.”

He sighs. “American. Name?” He goes back to counting.

“Eleanor Durran. But, please, call me Ella.”

He does no such thing. He moves to a long wooden desk and hands me a piece of paper and a pen. I glance at it. It’s a contract that says I can’t burn down my room. I sign. He slides an envelope the size of a playing card across the counter to me, my initials written on the front. He walks around the long desk and comes out a side door, moving to a wall of small cubbyholes, similar to the kind in a kindergarten classroom. As he speaks, he bends one green paper into each hole.

“This is your pidge. Check it daily for post. You’re room thirteen, staircase four. That’s Swithuns staircase four, mind you. We don’t make a habit of housing graduate students inside walls, but there’s a shortage in graduate housing this year. Besides, I’ve found Americans rather enjoy being ‘behind the gates.’ Something to do with that boy wizard?”

“Harry Pott—”

“Meals are at your discretion. We have Formal Hall on Sunday, Wednesday, and Friday. Gowns must be worn. Nip into a shop on Turl for one. Boiler won’t come on till October fifteenth, no heat till then, so don’t ask for it. You’ll replace two keys in the envelope; the electronic card will get you in the gates and any of the public rooms after hours, the other is a proper key for your room. It is irreplaceable. Don’t lose it.”

I understand maybe half of what he’s said. “Thanks. What’s your name?” I ask.

His turtle neck recedes. “Hugh,” he grunts, turning back to the pidges.

“I’m Ella.”

“We’ve established that, Miss Durran.”

“Well,” I say, grabbing the handle of my suitcase, “I think this is the beginning of a beautiful friendship, Hugh.”

“Of all the gin joints, Miss Durran,” he mutters. But I can see the hint of a smile. I mean, it’s reluctant and has a rusty, unused quality about it, like an old bicycle pump, but it’s there. “You’ll be replaceing staircase four just outside the lodge—” I open my mouth to speak, but he forges on, “This is the lodge, and you will exit through that door there, cross St. John’s quad, turn left at Swithuns, and then you will pass, on your left, staircase one, and then you will pass, also on your left, staircase two, and if you persevere you shall invariably come to staircase four.” I try again, opening my mouth to speak, but he deftly continues: “At which point, your room will be on the left of the uppermost landing, at the very top.”

The words “the very top” give me pause. I’m once again reminded that I haven’t eaten since I left the States.

“Hugh, would you mind if I left my bags here and got some food first?”

“As you will, Miss Durran.”

“I’ll be quick,” I assure him, but Hugh’s turned back to his copier. “Any recommendations?”

“Plenty of options on the High.”

The High. So much cooler than High Street.

I wheel my bag next to the copier, take my book out of my backpack, turn to go, and stop abruptly. A boy pokes his head around the entrance to the lodge and tentatively steps forward. He moves like a mouse. He’s pudgy around the middle and his hair is styled in two pointed fans on the top of his head, resembling ears. He looks like Gus Gus from Cinderella.

I’m so tired.

“Yes,” Hugh snaps at the boy, instantly impatient.

He looks as if he wants to flee, but says, “Yes, erm, sorry, sir, I’m going to, erm, uh, Sebastian Melmoth’s room?”

“Not again,” Hugh mutters. “Posh prat.” I can’t help but smile. Someone actually said “posh prat” in real life, in real time, right in front of me. Hugh then barks at the boy, “Don’t just stand there, come in, come in.” Gus Gus scurries past us. As Hugh shakes his head, I walk back out to the High.

Taking an arbitrary right, I journey back the way I came, glancing at my watch. As if on cue, a clock tower somewhere begins belting out five resounding chimes. Goose bumps crawl up my arms. If I weren’t exhausted I’d probably start crying.

I glance across the street and stop.

I can’t believe what I’m seeing. The sign still looks exactly like it did in the magazine.

THE HAPPY COD CHIP SHOP.

I look left and move to cross the street, dropping one foot off the curb when the sudden bleat of a horn makes me leap back onto the sidewalk. I clutch my book to my chest, keeping my heart from falling out. A classic silver convertible, like something out of a Bond movie, flies past, nearly running me over. I catch a glimpse of the careless driver, whose longish brown hair swirls in the wind as he zooms off. In the passenger seat, an equally windswept blond woman turns around to stare at me, her mouth wide open in a shocked, but unabashed, laugh.

“Not funny!” I want to shout after them, but they’re already well past me. As my heart begins beating normally again, I take a deep breath and step off the curb once more. This time, making sure to look right.

A TINY BELL jingles as I enter the Happy Cod. The proprietor, a stocky, red-nosed man with a white towel slung over his shoulder, glances up cheerfully. “Hallo!”

The small, charming room has a row of wooden booths on one side and a bar with stools on the other. The man stands at the back, behind a small service counter. There’s a stool there as well. He pats the counter in welcome. “What can I get you?”

“Fish and chips!”

“Comin’ right up.” He turns to his fryer as I settle in, running my hands along the old, worn wood and moving around on the squishy black vinyl seat. Everything feels just as I imagined it would. Smells just as I imagined it would. Even the proprietor is exactly as I imagined.

“I’m Ella, by the way.”

He spins back, ceremoniously wipes his hand on his towel, and offers it to me. “Simon.” I take his hand, meeting his firm shake with one of my own. He grins. “Where you from, Ella?”

“Ohio, originally. But I live in D.C. now.” Simon nods vaguely and leans his elbows on the counter, looking down at the book I’ve put there.

It’s a meager hardcover, bound in that linen material that only academic books are covered in. It cost me eighty dollars on eBay; the price of these books is inversely proportional to the size of their audience. He reads the title aloud, picking over each word as if he’s selecting ripe tomatoes: “The Victorian Conundrum: How Contemporary Poetry Shaped Gender Politics and Sexuality 1837 to 1898, by Roberta Styan.” He glances up at me dubiously.

“It’s a real page-turner,” I say, and he guffaws. “No, I’m doing a master’s.” I tap the author’s name on the cover. “Mostly with Professor Styan. Do you know her?” Simon shakes his head and a beeping noise comes from the fryer. He moves to it. “She’s, like, a deity in the lit crit world. Her specialty is Tennyson, which isn’t exactly my area. Not at all, actually. I work in politics. American politics. But this whole year for me is about pushing boundaries, and exploring new things, and basically just, like, leveling up. As a person?” Why am I rambling? Why do I feel like a fog is rolling into my head? Oh. Jet lag.

Simon wraps my whole meal in a cone of brown butcher paper surrounded by newspaper and offers it to me like a bouquet of roses. “Tradition,” he boasts. “Some other chippies use them plastic takeaway containers. Flattens me.” He hands me a paper plate, saying, “For sauce,” and gestures to a counter full of condiments at the front of the restaurant. “That’s me own twist on tradition. Used to be you’d come in here and get curry or peas or tartar and that was that. Give ’em a go. Promise you won’t be disappointed.” He winks at me.

Before I can reply, the bell jingles, and Simon turns his attention to the door. “JD!” he exclaims with a bright smile, opening the hinged counter and moving toward the entrance.

“Simon, my good man,” a male voice replies.

I focus on the culinary perfection in front of me. God, the smell. I take a bite. Heaven. I have to restrain myself from moaning.

I hear the man say, “Two fish and chips and two fizzies. Cheers, mate.” His voice is so melodious, so low and soothing, it should be accompanied by choral music.

Then a female voice says, “No chips for me. And make mine diet.”

Peripherally, I sense them settle in at a booth near the door as Simon comes back around. I take another mouthful of the perfectly prepared fish and this time am not so successful at stifling my moan. Simon, tending to the fryer, throws me a grin over his shoulder.

I hear the woman behind me murmur, “I thought you were taking me to the best place in Oxford.”

“And so I have,” the man says.

Pulling another chip out of the cone, I’m absorbed in trying to read pieces of the paper’s stories and advertisements, but the fog keeps rolling in. A few minutes later, Simon pops the countertop once more and lumbers over to the couple, delivering their meals. “Cheers,” the man says, then, as Simon comes back through the counter, “Behold the potato! Divine tuber. Staple of the gods. How we adore thee!”

“They give you a fat arse,” the woman replies.

“No, no,” the man argues, “The oil does. The oil! Yet the potato takes the blame. It’s a bloody outrage, I tell you.” He laughs. She doesn’t.

Simon catches my eye and rolls his. I roll mine back and we smile, comrades-in-arms. He nods toward the condiment station, whispering, “Really, give ’em a go.”

“Oh, right! I forgot.” I pick up my plate and walk to the counter to survey the many options.

I hear the man continue, “Now, the Irish! They knew the value of the potato. Did you know that when the Irish were deprived of the potato for just a few years, a million people died?”

There’s a pause. “Why didn’t they just eat something else?”

My hand punches the tarter sauce pump and the thick paste overshoots my plate, splattering onto the counter.

“What, like cake?” the man asks dryly.

“Sure,” she answers, immune to sarcasm.

I pick up a bottle labeled Brown Sauce (not exactly descriptive) and pour that onto my plate, too. Then I take a squeeze of mustard, a dollop of mayonnaise, something that looks like chutney but I’m not sure. I feel obligated to take a little of everything, not wanting to disappoint Simon. The plate looks like a painter’s palette.

I hear Golden Voice get out of the booth. “Why didn’t they just eat something else? Excellent question! Let them eat cake! But, see, they’d run out. Not a slice of cake in the entire country. Bloody awful. What was the Empire coming to, eh?” Dry British wit on full display. Always entertaining and yet somehow thoroughly obnoxious. “Now,” he continues, “there’s a home-cooked meal in it for you—”

She cuts him off, using a low, come-hither voice. “I’d rather those earrings we saw earlier.”

“You’ll have to do a bit more than trivia for diamonds, love,” he says offhandedly. The jerk. “A home-cooked meal if you can tell me the year the Potato Famine occurred. You have ten seconds. Ten. Nine. Eight—”

I realize I’m just standing there in my encroaching fog, listening to this ridiculous conversation, letting my fish and chips get cold. Snapping out of it, I turn around to head back to my seat and crash spectacularly into Golden Voice. Two planets colliding. The entire plate of condiments flips backward into my chest and I teeter, about to go down. A knightly hand reaches out and clutches my forearm, steadying me. My other hand grabs his shoulder.

Maybe he’s not a jerk, after all.

Righting myself, I catch sight of the woman he’s been talking with. Long blond hair. Windswept. Mouth open wide in a shocked laugh.

My gaze whips back to him, just as his head pops up, brown hair mussed.

Our eyes lock.

The fog lifts and I blurt, “You!”