The Master and The Marionette (The Pawn and The Puppet series Book 2)
The Master and The Marionette: Chapter 30

I feel the separation more than I thought I would. It’s almost like ripping a warm blanket off of someone while they sleep through a cold night. Almost, but worse. It’s losing a limb after war. A soldier waking up after a long slumber, glancing down to replace a missing leg.

No Dessin. No DaiSzek.

I woke up in a cage. A cage, like the one you lock your dog in when you’re away. It’s big enough for me to sit up, but not enough to stretch my legs out. The room has a ceiling with arches so high it could make a second room. The chandeliers are as dim as candles, providing very little light to the cherrywood walls and matching hardwood floors. I thought I’d be brought to a dungeon, a torture chamber. But this resembles a grand study, a gentlemen’s seating area.

There’s a metal table in the center of the room holding tools like scalpels and needles and gauze. My pulse does an uncertain dance under my skin. What are they going to do to me?

I look down at my knees and see a white cotton gown. The kind like the one I wore in the asylum, but softer, finer quality.

I can’t believe I just got out of the asylum to be locked up again. And I don’t even know where I am. The room is silent. Still. Have my captors left me? Will they come back? The idea is too close to the basement. Cold, murky, lonely basement.

I wrap my arms over my chest and am jerked by a tug. There’s a skinny clear tube connected to the inside of my elbow, connected to a needle sticking inside my skin. I try to pull it out, but a shock shudders through me, up to my arm, my shoulder, spreading out like a spider web into my neck. It makes a popping sound, like a whip making contact with skin, and I scream, falling back onto the bars of the cage. I examine my surroundings, frantically this time, straining to see movement in the shadows. Am I alone? There’s a strong aroma of bergamot and amber with an underlining kick of cigarette smoke. The windows on either wall are frosted with bars. Thick sets of brown curtains are hung over each window. There are velvet tapestries, shelves of books, glass cabinets of glass bottles—perhaps for a chemist or a healer.

As I start to relax, but not quite, I catch a brief movement off to a dark corner of the room, a subtle shift, like the uncrossing of legs.

“How are you settling in so far?”

I jerk both backward and upward, hitting the top of my head on the cage. Was someone watching me the whole time? I grip the sides of the bars and gawk at the dark corner. It’s as if someone sits in a chair, out of the flickering glow of the sconces and chandelier, because all I can see are the caps of their knees.

“You have curvier birthing hips in person than I would have guessed.” His voice is slippery like a water moccasin with a slight lisp where his teeth touch his bottom lip. The personal remark leaves me stiff while the restraints of my cage mold into my back.

“I, myself, have always hated the starving look on our women. It’s just so peculiar how folks can think that attractiveness is based on how tightly a woman’s skin hugs her bones. Should we start digging up graves, plucking the dead from their tombs and showcasing them in the windows at boutiques? They’re all bone, right?” Did I say his voice was slippery? I meant slimy. He sighs. A thin cloud of smoke rolls into the atmosphere. “No, all of that…” A long, arthritic finger wafts around like a wand directed at me. “…Extra cushion around your bosom and rear is what should be admirable. The plump consistency is like biting into a juicy peach, don’t you think?”

From the pitch of his voice, I conclude that he is in his mid to late thirties. Maybe slightly younger. The knobby point to his knees and finger make me imagine a tall, scrawny man. With a pointed nose and bladed cheekbones. He still does not show his face.

“Are you in the habit of ignoring your superiors when asked a simple question? Or are you one of those deaf and dumb girls?” An edge to his tone. An irritable pinch.

“Deaf and dumb,” I answer. My impatience and sarcasm getting the best of me.

“I see.” A flippant smile paints his words. “At some point, you might replace my conversation to be quite stimulating. It’ll certainly be a highlight of your day.”

The fear that springs to life inside me is almost visible when I look down at my sweaty palms. If his slimy voice is ever the high point of my day, I’m in for it. Sadly, I don’t sense even a syllable of dishonesty in the time since he first spoke.

“What’s your name?”

He crosses his legs again. Dark-scarlet-red pants and shiny black dress shoes. “Albatross Ivast. Demechnef royalty by day. Savant by night.” An awkward beat of silence, like he’s waiting for me to give him applause. “And you’re Skylenna Ambrose. Homeless. Conformist. Fugitive.”

I let my head rest against my new bed, letting my chin face upward. I’m done talking for now. I don’t know what any of this is. I’m scared to ask because he might tell me. Right now, I don’t want to know. I know I’ve been captured by Demechnef. I know wherever I am, it isn’t good. I’m locked in a freaking cage. There’s a tube that’s hooked into my arm that sends sparks of pain if I try and remove it. Right now, ignorance is bliss. Right now, I want to forget I’m sitting in a cage, talking to Alba Knobby Knees and close my eyes. I want to pretend, just for tonight, that my head is on Kane’s chest, with his arms and a big blanket around us, sleeping under the stars.