Unravel Me (Shatter Me Book 2)
Unravel Me: Chapter 65

I can’t feel my knees.

There are 27 people lined up, standing side by side in the middle of a big, barren field. Men and women and children of all different ages. All different sizes. All standing before what could be called a firing squad of 6 soldiers. The rain is rushing down around us, hard and angry, pelting everything and everyone with teardrops as hard as my bones. The wind is absolutely frantic.

The soldiers are deciding what to do. How to kill them. How to dispose of the 27 sets of eyes staring straight ahead. Some are sobbing, some are shaking from fear and grief and horror, others still are standing perfectly straight, stoic in the face of death.

One of the soldiers fires a shot.

The first man crumples to the ground and I feel like I’ve been whipped in the spine. So many emotions rush in and out of me in the span of a few seconds that I’m afraid I might faint; I’m clinging to consciousness with an animal desperation and trying to swallow back the tears, trying to ignore the pain spearing through me.

I can’t understand why no one is moving, why we’re not moving, why none of the civilians are moving even just to jump out of the way and it occurs to me, it dawns on me that running, trying to escape or trying to fight back is simply not a viable option. They are utterly overpowered. They have no guns. No ammunition of any kind.

But I do.

I have a gun.

I have 2, in fact.

This is the moment, this is where we have to let go, this is where we fight alone, just the 3 of us, 3 ancient kids fighting to save 26 faces or we die trying. My eyes are locked on a little girl who can’t be much older than James, her eyes so wide, so terrified, the front of her pants already wet from fear and it rips me to pieces, it kills me, and my free hand is already reaching for my gun when I tell Kenji I’m ready.

I watch the same soldier focus his weapon on the next victim when Kenji releases us.

3 guns are up, aimed to fire, and I hear the bullets before they’re released into the air; I see one replace its mark in a soldier’s neck and I have no idea if it’s mine.

It doesn’t matter now.

There are still 5 soldiers left to face, and now they can see us.

We’re running.

We’re dodging the bullets aimed in our direction and I see Adam dropping to the ground, I see him shooting with perfect precision and still failing to replace a target. I look around for Kenji only to replace that he’s disappeared and I’m so happy for it; 3 soldiers go down almost instantly. Adam takes advantage of the remaining soldiers’ distraction and takes out a fourth. I shoot the fifth from behind.

I don’t know whether or not I’ve killed him.

We’re screaming for the people to follow us, we’re herding them back to the compounds, yelling for them to stay down, to stay out of sight; we tell them help is coming and we’ll do whatever we can to protect them and they’re trying to reach out to us, to touch us, to thank us and take our hands but we don’t have time. We have to hurry them to some semblance of safety and move on to wherever the rest of this decimation is taking place.

I still haven’t forgotten the one man we weren’t able to save. I haven’t forgotten number 27.

I never want that to happen again.

We’re bolting across the many miles of land dedicated to these compounds now, not bothering to keep ourselves hidden or to come up with a definitive plan. We still haven’t spoken. We haven’t discussed what we’ve done or what we might do and we only know that we need to keep moving.

We follow Kenji.

He weaves his way through a demolished cluster of compounds and we know something has gone horribly wrong. There’s no sign of life anywhere. The little metal boxes that used to house civilians are completely destroyed and we don’t know if there were people inside when this happened.

Kenji tells us we have to keep looking.

We move deeper through the regulated territory, these pieces of land dedicated to human habitation, until we hear a rush of footsteps, the sound of a softly churning mechanical sound.

The tanks.

They run on electricity so they’re less conspicuous as they move through the streets, but I’m familiar enough with these tanks to be able to recognize the electric thrum. Adam and Kenji do too.

We follow the noise.

We’re fighting against the wind trying push us away and it’s almost as if it knows, as if the wind is trying to protect us from whatever is waiting on the other side of this compound. It doesn’t want us to have to see this. It doesn’t want us to have to die today.

Something explodes.

A raging fire rips through the atmosphere not 50 feet from where we’re standing. The flames lick the earth, lapping up the oxygen, and even the rain can’t douse the devastation all at once. The fire whips and sways in the wind, dying down just enough, humbled into submission by the sky.

We need to be wherever that fire is.

Our feet fight for traction on the muddy ground and I don’t feel the cold as we run, I don’t feel the wet, I only feel the adrenaline coursing through my limbs, forcing me to move forward, gun clenched too tight in my fist, too ready to aim, too ready to fire.

But when we reach the flames I almost drop my weapon.

I almost fall to the floor.

I almost can’t believe my eyes.